Green architecture ;
philosophy of architecture that advocates sustainable energy sources, the conservation of energy, the reuse and safety of building materials, and the siting of a building with consideration of its impact on the environment.
In the early 21st century the building of shelter (in all its forms) consumed more than half of the world’s resources—translating into 16 percent of the Earth’s freshwater resources, 30–40 percent of all energy supplies, and 50 percent by weight of all the raw materials withdrawn from Earth’s surface. Architecture was also responsible for 40–50 percent of waste deposits in landfills and 20–30 percent of greenhouse gas emissions.
Many architects after the post-World War II building boom were content to erect emblematic civic and corporate icons that celebrated profligate consumption and omnivorous globalization. At the turn of the 21st century, however, a building’s environmental integrity—as seen in the way it was designed and how it operated—became an important factor in how it was evaluated.
The advances in research and in building techniques achieved by the above-mentioned green design luminaries have been compiled into a reliable database of environmental construction methods and sustainable materials—some of which have been in use for thousands of years yet remain the basis for contemporary advances in environmental technology. For private residences of the 21st century, the essential green design principles are as follows:
Individual, corporate, and governmental efforts to comply with or enforce LEED standards include recycling at household and community levels, constructing smaller and more efficient buildings, and encouraging off-the-grid energy supplies. Such efforts alone cannot preserve the global ecosystem, however. On the most basic level, the ultimate success of any globally sanctioned environmental movement depends as much on its social, psychological, and aesthetic appeal as on its use of advanced technologies.
reference ;
https://www.archdaily.com/tag/green-architecture
https://www.britannica.com/art/green-architecture
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If architecture is to become truly green, then a revolution of form and content—including radical changes in the entire look of architecture—is essential. This can only happen if those involved in the building arts create a fundamentally new language that is more contextually integrative, socially responsive, functionally ethical, and visually germane.
The potentialities of environmental science and technology must be creatively examined. Already there exists a rich reservoir of ideas from science and nature—cybernetics, virtual reality, biochemistry, hydrology, geology, and cosmology, to mention a few. Furthermore, just as the Industrial Revolution once generated change in many fields in the 19th century, so too the information revolution, with its model of integrated systems, serves as a conceptual model in the 21st century for a new approach to architecture and design in the broader environment.
Understand the importance of incorporating sustainable design thinking and practice in buildings and city spaces Understand the importance of incorporating sustainable design thinking and practice in buildings and city spacesLearn about the use of plants in green architecture.As community governments begin to legislate state-of-the-art green standards, they must encourage appropriate artistic responses to such regional attributes as surrounding topography, indigenous vegetation, cultural history, and territorial idiosyncrasy. For instance, communities might encourage innovative fusions of architecture with landscape—where trees and plants become as much a part of architectural design as construction materials—so that buildings and their adjacent landscapes essentially merge. In such thinking, buildings are not interpreted as isolated objects, and the traditional barriers between inside and outside and between structure and site are challenged.
In the United States, environmental advocacy, as an organized social force, gained its first serious momentum as part of the youth movement of the 1960s. In rebellion against the perceived evils of high-rise congestion and suburban sprawl, some of the earliest and most dedicated eco-activists moved to rural communes, where they lived in tentlike structures and geodesic domes. In a certain sense, this initial wave of green architecture was based on admiration of the early Native American lifestyle and its minimal impact on the land. At the same time, by isolating themselves from the greater community, these youthful environmentalists were ignoring one of ecology’s most important principles: that interdependent elements work in harmony for the benefit of the whole.
Influential pioneers who supported a more integrative mission during the 1960s and early ’70s included the American architectural critic and social philosopher Lewis Mumford, the Scottish-born American landscape architect Ian McHarg, and the British scientist James Lovelock. They led the way in defining green design, and they contributed significantly to the popularization of environmental principles. For example, in 1973 Mumford proposed a straightforward environmental philosophy:
" The solution of the energy crisis would seem simple: transform solar energy via plants and produce enough food power and manpower in forms that would eliminate the wastes and perversions of power demanded by our high-energy technology. In short, plant, eat, and work! "